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Integrating empirical research methodologies (visual, textual and applied) and documentation in the development of a design proposal.? ÔÚÉè¼Æ¼Æ»®µÄÉú³¤Àú³ÌÖн«ÊµÖ¤Ñо¿ÒªÁì(ÊÓ¾õ,ÎÄ×ÖºÍ Ó¦ÓÃ)Óë¼Í¼ÏàÍŽá? Critical thinking and iterative processes towards individually negotiated resolved outcomes.? ÓÃÅúÅÐÐÔÍ·ÄԺ͵ü´úÀú³ÌÐγÉСÎÒ˽¼Ò˼Ë÷ÅжϽâ¾öÎÊÌâµÄÄÜÁ¦? Present competently considered aesthetic and technical solutions, which reflect fluency in planning, development and production.? ѧÉúÓÐÄÜÁ¦Éè¼Æ³öÃÀѧºÍÊÖÒÕ¼æ¾ßµÄ½â¾ö¼Æ»®,¶øÕâÖÖÄÜÁ¦ÔÚÍýÏë¡¢Éú³¤ºÍ×÷Æ·µÄÁ÷ͨÐÔÉ϶¼¿ÉÒÔµÃÒÔÌåÏÖIdeation and the iterative design process that integrates technology with design thinking/application.? ͨ¹ýÍ·ÄÔÄÜÁ¦ºÍµü´úÉè¼ÆÀú³Ì½«ÊÖÒÕÓëÉè¼ÆÍ·ÄÔ/Ó¦ÓÃÏàÍŽá? A systems-based approach engaging discourses relating to materials,production, sourcing and global user contexts.? ÓÃϵͳµÄÒªÁìÀ´ÐðÊöÖÊÁÏ¡¢Éú²ú¡¢²É¹ººÍÈ«ÇòÓû§ÇéÐεÈÏà¹Ø»°Ìâ? Using research to articulate a clear relationship between one's designand a social context.? ʹÓõ÷ÑÐÀ´±í´ï×Ô¼ºµÄÉè¼Æ×÷Æ·ÓëÉç»áÇéÐÎÖ®¼äµÄÃ÷È·¹ØÏµ? Curation of process & body of work that facilitates the documentation of complex research, creative problem solving, and self-reflection.? ʵ¼ùÀú³ÌÓë´´×÷ϵͳµÄÍŽáÓÐÖúÓÚ¼ÍÂ¼ÖØ´óµÄÑо¿Ð§¹û¡¢´´ÔìÐ﵀ ½â¾öÎÊÌâÒÔ¼°×ÔÎÒ·´Ë¼--------------------------------------------------------------------------------------------------------------------Thesis ¡ª¡ªÂÛÌâ|¦È¨¥sis| noun (pl. ---ses |---s¨¥z|):a statement or theory that is put forward as a premise to be maintained or proved.Ò»¸ö´ýά»¤»ò֤ʵµÄ³ÂÊö»òÀíÂÛBFA Fashion Design Thesis BFA´ò°çÉè¼ÆÂÛÌâA concept or theory put forward as a premise to be proved within the context of a practical or tangible expressionÒ»¸öÔÚÊÊÓûòÓÐÐαí´ïµÄÅä¾°Ï´ý±»Ö¤ÊµµÄ¿´·¨»òÀíÂÛ Themes ¡ª¡ªÖ÷ÌâSustainability¡ª¡ª¿ÉÒ»Á¬ÐÔTechnology¡ª¡ªÊÖÒÕSociety¡ª¡ªÉç»áStandardization¡ª¡ª¹æ·¶»¯Sizing¡ª¡ª¹æ¸ñGender¡ª¡ªÐÔ±ðCultural Appropriation¡ª¡ªÎÄ»¯Å²Óà Ethnographic Research¡ª¡ªÃñ×åÖ¾Ñо¿ Historical Reference¡ª¡ªÀúÊ·²Î¿¼Social Science¡ª¡ªÉç»á¿ÆÑ§--------------------------------------------------------------------------------------------------------------------Criteria | Reflection ±ê×¼|·´Ë¼RESEARCHµ÷ÑÐDoes your research provide evidence of personal translations of your Primary inspirations/concepts into authentic / unique design ideas?ÄãµÄµ÷ÑÐЧ¹ûÊÇ·ñÄܹ»Ö§³ÖÄãµÄ×î³õ¹¹Ïë/ÍÆ¶¯¿´·¨×ªÎªÏÖʵ /ÆæÒìµÄÉè¼ÆÀíÄî?DESIGN DEVELOPMENT/PROBLEM SOLVINGÉè¼ÆÉú³¤/ÎÊÌâ½â¾öDoes your documented Design Development process communicate your innovations through 2D and 3D processes?ÄãËù¼Í¼µÄÉè¼ÆÉú³¤Àú³ÌÊÇ·ñͨ¹ý2D¡¢3D´¦Öóͷ£×ª´ïÁËÄãµÄÁ¢ÒìÀíÄî?CLARITY/ORGANIZATIONÇåÎú/½á¹¹Does the Process visually and clearly communicate your designideas to your audience?Õâ¸öÀú³ÌÊÇ·ñ½«ÄãµÄÉè¼ÆÀíÄîÔÚÊÓ¾õÉÏÇåÎúµØ×ª´ï¸øÁ˹ÛÖÚ?PRESENTATION/CURATION·ºÆð/²ßÕ¹PROCESS DOCUMENTATIONÀú³Ì¼Í¼Does the presentation reconfirm your concepts and design journey?·ºÆð³öÀ´µÄ×÷Æ·ÊÇ·ñ׼ȷת´ïÁËÄãµÄ¿´·¨ÓëÉè¼ÆÀú³Ì?Portfolio Preparation×÷Æ·¼¯µÄ×¼±¸Loukia TsafouliaPortfolio Review×÷Æ·¼¯»ØÊ×Think of your portfolio as a design projectÏñ×öÉè¼ÆÏîĿһÑù˼Ë÷ÄãµÄ×÷Æ·¼¯Portfolio Tips×÷Æ·¼¯Ð¡ÌùÊ¿1£ºHow long should a portfolio be?1: Ò»Ì××÷Æ·¼¯Ó¦°üÀ¨¼¸¶àÒ³a.Fifteen pages or less?a. Ê®ÎåÒ³»òÒÔÏÂb.Twenty pages or less?b.¶þʮҳ»òÒÔÏÂc.As many pages as it takes to cover all your work.c.ÍêÕû·ºÆðÄã×÷Æ·ËùÐèÒªµÄÒ³Êý.2. Portfolio Formats?2. ×÷Æ·¼¯µÄÃûÌÃa. Printeda. ´òÓ¡µÄb. Websiteb£®ÍøÒ³ÐÎʽµÄc. PDFc. PDFÐÎʽµÄ3. Choosing a design?3. Ñ¡ÔñÒ»ÖÖÉè¼ÆThe type of portfolio you need will depend on how you intend to use it.ÄãËùÐèµÄ×÷Æ·¼¯ÀàÐÍÈ¡¾öÓÚÄ㽫ÔõÑùʹÓÃËü? looking for an internship? ÕÒʵϰ? applying for school? ÉêÇëѧУ? applying for your first job? ÉêÇëµÚÒ»·ÝÊÂÇé? looking for a new job? ÕÒÐÂÊÂÇé? looking for freelance opportunities? ÕÒ×ÔÓÉÖ°ÒµµÄ»ú»á4. Choosing a Presentation Medium?4. Ñ¡ÔñÒ»ÖÖչʾµÄǰÑÔConsider the type of presentation you want your career portfolio to provide to anyone viewing it.˼Ë÷ÓúÎÖÖ·½·¨½«ÄãµÄÖ°Òµ×÷Æ·¼¯·ºÆð¸øÄÇЩä¯ÀÀËüµÄÈËÃÇ? Can be viewed online? ÍøÉÏ·ºÆð? Used as a presentation in a face to face interview? ÔÚÏÖÊ±ÊÆÊÔʱ¾ÍµØÕ¹Ê¾? Is a hard copy leave behind? ×÷ΪһÖÖÓ²¿½±´ÉúÑĺÃ? Application attachment? ÉêÇëʱµÄ¸½¼þIn many cases you'll need a versatile portfolio that you can adjust into more than one medium.ÔÚÐí¶àÇéÐÎÏÂÄã¶¼ÐèҪ׼±¸Ò»·Ý¶àÓÃ;µÄ×÷Æ·¼¯ÒÔ±ãչʾÔÚ²î±ðµÄǰÑÔÉÏ5. Include a Variety of Skill-Representing samples5. ×÷Æ·¼¯Ñù±¾Ó¦µ±Õ¹Ê¾ÄãµÄһϵÁÐÊÖÒÕPortfolio should show off all the different kinds of projects you¡¯ve worked on and the scope of your skill set.×÷Æ·¼¯Ó¦µ±Õ¹ÏÖËùÓÐÄã×ö¹ýµÄ¸ßÄѶÈÏîÄ¿ÒÔ¼°Äã×ÔÉíµÄÊÖÒÕ¹æÄ£6. Let your portfolio be an example of your architecture style6. ʹÄãµÄ×÷Æ·¼¯³ÉΪÄãÐÞ½¨Æø¸ÅµÄÒ»¸ö°¸ÀýSimple, clean, clear style that has vision, insight and is well-built is what your portfolio should represent. Forget fancy smoke-and-mirrors portfolio design that may trick employers into looking twice. Let your work speak for itself.ÄãµÄ×÷Æ·¼¯Ó¦µ±¾ß±¸¼òÆÓÇå½àÇåÎúµÄÆø¸ÅͬʱչÏÖ³öÔ¶¼ûºÍ¶´²ìÁ¦ÔÚ´Ë»ù´¡ÉÏÈ«ÐĽ¨¹¹±ð½ÓÄÉ»¨ÀïºúÉÚ¡¢¹ÊŪÐþÐéµÄÉè¼Æ¹ÍÓ¶·½¿ÉÄܻᱻÄãºöÓÆ×ÅÖØ¸´¿´£¨µ«²¢Ã»ÓÐÓã©ÄãµÄ×÷Æ·Ó¦µ±²»ÑÔ×ÔÃ÷6. Review6. »ØÊ×Ask the employer the type of portfolio they would like you to bring to an interview (electronic, reproduction, originals etc.)ѯÎʹÍÓ¶·½ËûÃÇÏëÒªÄãÃæÊÔʱ´øÉÏʲôÑùµÄ×÷Æ·¼¯£¨µç×Ó°æµÄ¸´Ó¡°æµÄÕÕ¾ÉÔ°æµÄÖîÔÆÔÆÀࣩHard copy and electronic portfolios should match the design style established in your resume, cover letter and thank you notes¿½±´°æµÄºÍµç×Ó°æµÄ×÷Æ·¼¯Ó¦µ±ºÍÄã¼òÀúÖзºÆðµÄÉè¼ÆÆø¸ÅÏàÒ»Ö±ðÍüÁË×Ô¼öÐÅÓëллÐÅOnly include your best work from your most recent coursework and internships´Ó×î½üµÄ¿Î³Ì×÷Òµ»òʵϰ×÷Æ·ÖÐÌôÑ¡Äã×î°ôµÄ×÷Æ·Include samples that relate to the style and project type produced by the employerÄãµÄ×÷Æ·¼¯ÀïÒ²Ó¦µ±°üÀ¨ºÍ¹ÍÓ¶·½µÄÏîÄ¿Æø¸ÅÓйØÁªµÄÑù±¾Make sure that electronic portfolios are intuitive to navigate and that the files load quickly on most computersÈ·±£ÄãµÄµç×Ó°æ×÷Æ·¼¯¿ÉÒÔÖ±½Ó±»ËÑË÷µ½²¢ÇÒÆäÎļþÄܹ»ÔÚ´ó´ó¶¼µçÄÔÉϱ»¿ìËÙÏÂÔØºÃIf using a CD for your electronic portfolio, your cover should be designed to reflect your brandÈôÊÇʹÓÃCD¿Ì¼ÄãµÄµç×Ó°æ×÷Æ·¼¯ÄÇôCDµÄ·âÃæÉè¼ÆÓ¦µ±·´Ó¦ÄãµÄÆ·ÅÆPORTFOLIO: CONTENT×÷Æ·¼¯£ºÄÚÈÝCOVER·âÃæBOOK BINDING×°¶©CONTENTS PAGEĿ¼PROJECT INTRODUACTORY PAGEÏîÄ¿ÏÈÈÝÒ³COVER·âÃæA.Your Name Frank Lloyd WrongA£®ÄãµÄÃû×Ö ¸¥À¼¿Ë.ÂÞÒÁµÂ.ÀÊB.Name of School The City College of New York,B£®Ñ§Ð£µÄÃû×Ö Bemard & Anne Spitzer School of ArchitectureŦԼÊÐÁ¢Ñ§Ôº²®ÄɵÂÓë°²ÄÝ?˹Ƥ²ßÐÞ½¨Ñ§Ôº(һϵÁа¸Àýչʾ)BINDING×°¶©PAPERBACKSƽװ±¾Perfect BoundÎÞÏß½º¶©Saddles StitchÆïÂí¶©Coil Bound´©»É£¨ÏßȦ£©¶©HARD COVERSÓ²·âÃæCasewrapƤ¿Ç°üÖ½Dust JacketÊé¼®±£»¤Ì×3£©CONTENTS PAGEĿ¼A.Organize chronologically, by theme, in scale, otherA£®Æ¾Ö¤ÄêÔ¡¢Ö÷Ìâ¡¢×÷Æ·¾Þϸ»òÕ߯äËû˳ÐòÅÅÁÐB. Project Name Project #1: Library Analysis/Fall 2015B£®ÏîÄ¿Ãû³Æ Àý£ºÏîÄ¿1£ºÍ¼Êé¹ÝÆÊÎö/2015ÄêÇï¼¾C. Name of Course / Professor¡¯s Name (optional) AES 23000 / Loukia TsafouliaC£®¿Î³ÌÃû³Æ/½ÌÊÚÃû×Ö£¨±¸Ñ¡£© ÀýMake sure to include page numbersÈ·±£¶¼ÓжÔÓ¦µÄÒ³ÂëÊý£¨Ò»ÏµÁа¸ÀýͼƬ£©4£©PROJECTÏîÄ¿A.Name of Course / Professor¡¯s Name AES 23000 / Loukia TsafouliaA£®¿Î³ÌÃû³Æ/½ÌÊÚÃû×Ö Àý- AES 23000 / Loukia TsafouliaB. Project Name Project #1: Library AnalysisB£®ÏîÄ¿Ãû³Æ Àý- ÏîÄ¿1£ºÍ¼Êé¹ÝÆÊÎöC. Team Members (if relevant) Project Team: (Names of classmates)C£®ÍŶӳÉÔ±£¨ÈôÊÇÏà¹Ø£©ÏîÄ¿ÍŶӣº£¨Í¬ÑâÃû×Ö£©D. Project Description / Your concept Research, measure, draw, and buildD£®ÏîÄ¿ÐÎò/ÄãµÄ¿´·¨¡¢Ñо¿¡¢ÕÉÁ¿¡¢»æÍ¼ºÍ½¨¹¹models of Exeter Library by Louis I. KhanÀý - ͼÊé¹ÝÍâ¹ÛµÄÄ£×Ó - Louis I. 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