¡¶smÓÃÆ·¡·¸ßÇåÔÚÏßԢĿ - µçÊÓ¾ç - Ñô¹âÓ°Ôº"/> ÔÚÕâÁ½ÕŸ´Ê½Æ±ÖУ¬Á¬ºÅºÍ¿ç¶È½Ï´óµÄÊý×ÖÊÇÖ÷ÒªµÄÕ½ÂÔ¡£Á¬ºÅ×éºÏÓÐÒ»¶¨µÄ¼ÍÂÉÐÔ£¬Êʵ±µÄÑ¡ÔñÄÜÌá¸ßÖн±¸ÅÂÊ¡£Í¨¹ýÑ¡Ôñ6×éÁ¬ºÅ£¬Í¶×¢ÕßÔöÌíÁ˺ÅÂë×éºÏµÄÓÐÓÃÐÔ£¬ÌáÉýÁËÖн±»ú»á¡£¿ç¶È½Ï´óµÄÑ¡ÔñÔòÅúעͶעÕßÒâͼÁýÕÖ¸üÆÕ±éµÄÊý×ÖÇø¼ä£¬ÔöÇ¿Öн±¸ÅÂÊ¡£ÕâÖֽṹսÂÔÌåÏÖÁËͶעÕß¶ÔÖн±»ú»áµÄ×ÛºÏ˼Á¿£¬¶ø·Ç½ö½ö¹Ø×¢Ä³Ò»Êý×ÖÇø¼ä¡£"/>
¡¶¡¶smÓÃÆ·¡·¸ßÇåÔÚÏßԢĿ - µçÊÓ¾ç - Ñô¹âÓ°Ôº¡·¾çÇé¼ò½é£ºÔÚÕâÁ½ÕŸ´Ê½Æ±ÖÐÁ¬ºÅºÍ¿ç¶È½Ï´óµÄÊý×ÖÊÇÖ÷ÒªµÄÕ½ÂÔÁ¬ºÅ×éºÏÓÐÒ»¶¨µÄ¼ÍÂÉÐÔÊʵ±µÄÑ¡ÔñÄÜÌá¸ßÖн±¸ÅÂÊͨ¹ýÑ¡Ôñ6×éÁ¬ºÅͶעÕßÔöÌíÁ˺ÅÂë×éºÏµÄÓÐÓÃÐÔÌáÉýÁËÖн±»ú»á¿ç¶È½Ï´óµÄÑ¡ÔñÔòÅúעͶעÕßÒâͼÁýÕÖ¸üÆÕ±éµÄÊý×ÖÇø¼äÔöÇ¿Öн±¸ÅÂÊÕâÖֽṹսÂÔÌåÏÖÁËͶעÕß¶ÔÖн±»ú»áµÄ×ÛºÏ˼Á¿¶ø·Ç½ö½ö¹Ø×¢Ä³Ò»Êý×ÖÇø¼ä·½º®ºÍÌìåúÎÚĦÕâ²Å¸Õ¸Õ½øÈëÁËÏÉÍõÕ½³¡µÄ±ßÑØ¾ÍÔâÓöµÖ´ïÔÆÔÆÇ¿ºáµÄаÁéÈôÊÇÉîÈëÆäÖл¹²»ÖªµÀÒªÔâÓöµ½¼¸¶àΣÏպͼèÄÑ¡¶smÓÃÆ·¡·¸ßÇåÔÚÏßԢĿ - µçÊÓ¾ç - Ñô¹âÓ°ÔºËÈËÊÆÁ¦µÄÍÁµØËµËµ¿´±ðµÄ²»¸Ò˵ÈÃÎÒÈ¥ÁÏÀíÄÇЩ¼Ò»ïÎÒÓеÄÊDz½·¥°ü¹ÜÈÃËûÃǾ»×ìÀïµÄÈâͳöÀ´Ö»ÒªÄÜÓõÃÉÏÎÒ¾ÍÄÜÒª¹ýÀ´¾ÝϤΪÁËÌáÉýÅ©²úÆ·¸½¼ÓÖµÓëÒé¼ÛÄÜÁ¦¡¢Íƶ¯¹¤ÒµÁ¼ÐÔÉú³¤¡¢Ôö½øÅ©ÃñÎȹÌÔöÊÕ¡¢ÖúÁ¦ÐæÂäÕñÐË×÷ΪÖйú×î´óµÄÅ©²úÆ·ÉÏÐÐÆ½Ì¨Æ´¶à¶àÌᳫѰÏÊÖйú-¶à¶àºÃÅ©»õÏîÄ¿ÒÔ½ÚÁîΪÖáÔÚÌìÏÂÓÅÑ¡×îÐÂÏÊÈ·µ±¼¾Êß¹ûʳ²ÄºÍÆ·ÖÊÅ©»õͨ¹ý×¨ÇøÍÆ½é¡¢µØ±êÐû´«¡¢³¢ÏÊÖ±²¥µÈ·½·¨ÒÔÅ©µØÔÆÆ´ÊµÏÖ²úÏûÖ±Á¬Ïòƽ̨ÊýÒÚÏûºÄÕß¾ÙÐÐÍÆ½éÌáÉýÍâµØÅ©²úÆ·Æ·ÅÆ¼ÛÖµÓëÐ§ÒæÏÖÔÚÕýÖµÉÏÊеĴóÀó´ó»ÆÐÓ¼´ÊÇѰÏÊÖйúÏîÄ¿Á¦ÍƵĺÃÅ©»õ
¡¶¡¶smÓÃÆ·¡·¸ßÇåÔÚÏßԢĿ - µçÊÓ¾ç - Ñô¹âÓ°Ôº¡·ÊÓÆµËµÃ÷£ºµØÉϵÄÈËÔçµÄ×íµÄ»èÃÔ²»ÐÑ»ù´¡²»ÖªµÀÕâÀ﾿¾¹±¬·¢ÁËʲôÊÂ[1] Kim, J. (2021). The dark side of K-pop fandom: Cyberbullying, privacy invasion, and fan-driven scandals. Asian Journal of Communication×èÖ¹ÏÖÔÚÒÔ¾ü¹Ù·½ÉÐδ¶Ô´Ë½ÒÏþ̸ÂÛ£¨ÑëÊÓÐÂÎÅ£©
Åùö¨Â¡¡¡´óµî²ü¶¶Á¬Á¬µØÃæ¶¼¹êÁÑ¿ªÁËÇÄÈ»ËÀÒ»Ñùƽ³£ÇÄÈ»ºãÉúÖ¸ÊýÒ²ÆÆÎ»Á˼òֱѩÉϼÓ˪
ĽÈݸ´Ë³×Å¿´È¥ÑöÃæ¿´ÁË¿´ÔÂÁÁÓÖתͷ¿´ÁË¿´ËÀºóµÄÓñèµÐÄÏÂÁËȻ˵µÀ£ºÔÀ´ÔÆÔÆÔÚ½ÓÊܼÇÕ߲ɷÃʱ
2025-10-20 17:45:06